NPR's Michel Martin speaks with Grammy-winning baritone Will Liverman about his latest album — Show Me The Way — honoring women in classical music, past and present.

The Apollo Chamber Players in Houston, Texas, create concerts in response to book banning, the refugee crisis, the war in Gaza and other world events. Thousands of people attend their performances.

A new album, American Counterpoints, reasserts the importance of two 20th century Black composers whose work has been neglected.

A fictional tale of the real-life Jewish community in Shanghai during World War II — with a cross-cultural love story at its heart — is premiering at the New York Philharmonic on Thursday.

Poet Amanda Gorman and German cellist Jan Vogler combine poetry and Bach's cello suites at New York's Carnegie Hall to share the "lows and highs" of human experience.

On Feb. 12, 1924, a sassy fusion of jazz and classical music debuted in New York, sparking a mutual exchange of ideas still debated today.

To mark Philip Glass' 87th birthday, the astute pianist Timo Andres stops by to play a contrasting pair of the composer's popular etudes.

Nokuthula Ngwenyama's Flow is on a 13-city tour of performances by the celebrated Takács Quartet.

The band's unique sound, driven by its peculiar blend of trumpet, winds and strings, seems like a compelling soundtrack for an age when music genres are becoming increasingly arbitrary.

In his new biopic Maestro, Cooper was determined not to imitate the legendary Leonard Bernstein. Instead, the actor worked with conductor Yannick Nézet-Séguin to find his own rhythm.

Discover a broad spectrum of this year's most compelling classical music, from symphonic hell rides and soaring voices to searing string quartets, cathartic choirs and one amazing comeback.

British composer Martin Phipps discusses how he used an 1808 French piano that once belonged to Napoleon in the score for Ridley Scott's biopic of the one-time emperor.