Honesty, confidence, and respect permeate Eilen Jewell’s (pronounced: EE-len) music, dating back to her self-released Boundary County album in 2006. Since then, the Boise native has recorded five studio albums with her road-tested touring band, and two more as a member of the Boston-based gospel-charged Sacred Shakers, which includes that well-oiled band at its core. Her latest, Sundown Over Ghost Town, is a culmination of Jewell’s work to date.
As hard as it is to categorize Eilen Jewell’s music—terms like alt-country, roots-rock, country-noir, and Americana get used a lot—it’s even harder not to become thoroughly enraptured by the singer/songwriter’s powerful versatility, musical stories, and images. And that gorgeous voice makes you feel like she’s singing just for you, out on the breezy back porch or by a crackling campfire. She does so much, so well.
Four years after the release of Queen of the Minor Key, Jewell and her tighter-than-ever band—which besides guitarist Miller is filled out by the longstanding ace rhythm section of drummer Jason Beek (Jewell’s husband, who sports the glow of a young Levon Helm) and upright bassist Johnny Sciascia—make their eagerly awaited return with Sundown Over Ghost Town. Rich with cinematic visions, elegant sweet and smoky vocals, and hauntingly autobiographical songs, Sundown is bursting with stellar performances and is likely her most personal, fully realized album yet.
“The way we approached recording this album was pretty consistent with our previous albums,” explains the singer, “in that my core band and I recorded together in a live style. We were our own producers, and we brought in a few guests to lend some extra layers. The main difference is that everything was done in Idaho, and our guests were all local to this area. We tried not to let the long break influence anything. I wanted this album to stand on its own.”