19th Amendment, 19 Women: NY Philharmonic's 2020 Program Celebrates Suffragists

Feb 16, 2020
Originally published on February 16, 2020 6:14 pm

This August will mark 100 years since women won the right to vote with the ratification of the 19th Amendment. To celebrate, the New York Philharmonic has commissioned compositions by 19 women for an initiative it calls Project 19, which had its first concert earlier this month.

"Less than 3% of the music presented on the concert stage is written by women," says Deborah Borda, the orchestra's president and CEO, and one of the architects of Project 19. That's worldwide, not just in the United States, which means next year, she says, "We're immediately changing the percentages."

Last year, the New York Philharmonic only presented two pieces written by women all season. Borda and music director Jaap van Zweden saw the centennial of the 19th Amendment as a chance not only to redress that imbalance, but to reexamine the past 100 years.

Borda says the project is about "looking at this 100 years later and thinking about some of the strides that women have made, but also some of the strides they have not made."

In fact, "Stride" is the name of the piece that Tania León wrote for the Philharmonic, which premiered this week. When she got the commission, the acclaimed Cuban-born composer who's known for her work in both classical music and jazz, found herself thinking about a pioneering suffragist.

" 'Stride' encompasses many things for me and is an idea that I realized by studying a little bit of the life of Susan B. Anthony," León says. "She was a force. She didn't take 'no' for an answer. She was determined. She had the intention of making changes. And she created a movement, in a way. And she made it happen."

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Although she didn't write any musical marches for "Stride,"León says she was thinking about their physical, activist counterpart.

"I saw the marches [of] Martin Luther King [Jr.], the marches of the people that don't like wars, the marches of people that are actually seeking support for things that they believe that is their right to ask for," she says. "And so, all of a sudden, I just saw legs walking to a destination."

Project 19 includes well-known names such as Joan Tower and Caroline Shaw, as well as some up-and-comers. Composer Ellen Reid says she's kind of a fan girl when it comes to her peers involved in the project.

"The 19 composers that were selected, we love each other's music," she says. "And it's so exciting to be involved in something with artists I've respected and listened to for a long time."

Reid won the Pulitzer Prize last year for p r i s m, an opera that looks at the emotional aftermath of sexual abuse. Her new piece, When the World as You've Known It Doesn't Exist, premieres on Feb. 20 and deals with the emotional effects of the current moment.

"I think that's a sentiment that a lot of people are feeling right now," she says, citing everything from the news to the weather, which "used to be a mundane conversation and is now not."

Van Zweden, the Philharmonic's music director, says Project 19 helps fulfill one of the orchestra's essential missions.

"Without inspiring new music, our profession is — I will not say dead, but our profession is much less interesting," he says.

Project 19 kicked off earlier this month with a piece called "Tread softly" by Nina C. Young. The title comes from "Aedh Wishes for the Cloths of Heaven," a poem by W.B. Yeats. It reads:

Had I heaven's embroidered cloths,

Enwrought with golden and silver light,

The blue and the dim and the dark cloths

Of night and light and the half light,

I would spread the cloths under your feet:

But I, being poor, have only my dreams;

I have spread my dreams under your feet;

Tread softly because you tread on my dreams.

For Young, even though Yeats is expressing unrequited love in his poem, her take reflects on the 100 years since the ratification of the 19th Amendment.

"Voting in the United States is very complicated," she says, "And so I thought, well, there's a parallel to this poem: people are hoping and dreaming, always for progress and betterment. We have to dream big, but we have to be prepared to know that we're being stepped upon — but to also continue to have these dreams."

To try to make sure fewer people's dreams are stepped on, The League of Women Voters is setting up tables at every Project 19 concert to encourage voter registration.

Copyright 2020 NPR. To see more, visit https://www.npr.org.
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LULU GARCIA-NAVARRO, HOST:

One hundred years ago this August, the 19th Amendment was ratified, giving women the right to vote. Celebrations are planned around the country, though this year, the New York Philharmonic is getting a headstart. Our Jeff Lunden looks at the just launched Project 19, which has commissioned compositions by 19 women.

JEFF LUNDEN, BYLINE: Last year, the New York Philharmonic only presented two pieces written by women all season.

DEBORAH BORDA: Less than 3% of the music presented on the concert stage is written by women.

LUNDEN: Worldwide, says Deborah Borda, the orchestra's president and CEO and one of the architects of Project 19.

BORDA: We're immediately changing the percentages.

LUNDEN: At least through the 2020-2021 concert season. Borda and music director Jaap van Zweden saw the centennial of the 19th Amendment as a chance not only to redress that imbalance but to reexamine the past 100 years.

BORDA: Looking at this 100 years later and thinking about some of the strides that women have made but also some of the strides they have not made.

LUNDEN: In fact, "Stride" is the name of the piece that Tania Leon wrote for the Philharmonic, which premiered this week.

(SOUNDBITE OF NEW YORK PHILHARMONIC ORCHESTRA PERFORMANCE OF TANIA LEON'S "STRIDE")

LUNDEN: When she got the commission, the acclaimed Cuban-born composer, who's known for her work in both classical music and jazz, found herself thinking about a pioneering suffragette.

TANIA LEON: "Stride" is an idea that I realized by studying a little bit of the life of Susan B. Anthony, you know? You're talking about stride? (Laughter). She was a force. She didn't take no for an answer. She had the intention of making changes. And she created a movement in a way. And she made it happen.

(SOUNDBITE OF NEW YORK PHILHARMONIC ORCHESTRA PERFORMANCE OF TANIA LEON'S "STRIDE")

LUNDEN: While she hasn't written many marches in "Stride," Tania Leon says she thought about how activist movements frequently move.

LEON: I saw the marches of Martin Luther King, the marches of the people that don't like wars or the marches of people that are actually seeking support for things that they believe that is their right to ask for. So all the sudden, I just saw legs, legs walking to a destination.

(SOUNDBITE OF NEW YORK PHILHARMONIC ORCHESTRA PERFORMANCE OF TANIA LEON'S "STRIDE")

ELLEN REID: The 19 composers that were selected, we love each other's music. And it's so exciting to be involved in something with artists I've respected and listened to for a long time.

LUNDEN: Composer Ellen Reid says she's kind of a fan girl when it comes to her peers in Project 19, who includes such well-known names as Joan Tower and Caroline Shaw, as well as some up-and-comers. Reid won the Pulitzer Prize last year for "p r i s m," an opera that looks at the emotional aftermath of sexual abuse.

(SOUNDBITE OF SONG, "LOST IN THE BLUE")

UNIDENTIFIED SINGERS: (Vocalizing).

LUNDEN: Reid's new piece, "When the World As You've Known It Doesn't Exist," premieres later this week and deals with the emotional effects of the current moment.

REID: I think that's a sentiment that a lot of people are feeling right now - everything from, obviously, the news cycle to the weather, which used to be a mundane conversation and is now not.

LUNDEN: The New York Philharmonic's music director, Jaap van Zweden, says Project 19 helps fulfill one of the orchestra's essential missions.

JAAP VAN ZWEDEN: Without inspiring new music, our profession is - I will not say dead. But our profession is much less interesting.

LUNDEN: Project 19 kicked off earlier this month with a piece called "Tread Softly" by Nina C. Young.

(SOUNDBITE OF NEW YORK PHILHARMONIC ORCHESTRA PERFORMANCE OF NINA C YOUNG'S "TREAD SOFTLY")

LUNDEN: The title comes from a poem by W.B. Yeats. Young reads it.

NINA C YOUNG: (Reading) Had I heavens' embroidered cloths, enwrought with gold and silver light, the blue and the dim and the dark cloths of night and light and the half light, I would spread the cloths under your feet. But, I, being poor, have only my dreams. I have spread my dreams under your feet. Tread softly because you tread on my dreams.

LUNDEN: For Young, even though Yeats is expressing unrequited love in his poem - her take reflects on the 100 years since the ratification of the 19th Amendment.

YOUNG: Voting in the United States is very complicated. And so I thought, well, there's a parallel to this poem. Like people are hoping and dreaming - always for progress and betterment. And we have to dream big. But we have to be prepared to know that we're being stepped upon but to also continue to have these dreams.

LUNDEN: To try to make sure fewer people's dreams are stepped on, The League of Women Voters is setting up tables at every Project 19 concert to encourage voter registration. For NPR News, I'm Jeff Lunden in New York. Transcript provided by NPR, Copyright NPR.