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Bang On A Can Riffs On John Cage

On the Bang on a Can All-Stars' new album, <em>Field Recordings</em>, composers riff on a range of recorded sounds.
Peter Serling
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Bang on a Can
On the Bang on a Can All-Stars' new album, Field Recordings, composers riff on a range of recorded sounds.

Life changed a lot after that day in 1877 when Thomas Edison spoke "Mary had a little lamb" into a contraption he called a phonograph and discovered he could reproduce sound. Back then, tinfoil cylinders captured just a few flickering moments. Today Wagner's entire Ringcycle fits on a 16GB flash drive.

Recorded sound is all around us. It's also the inspiration for Field Recordings, the latest album by the new-music collective Bang on a Can All-Stars (released May 12). The ensemble, London's Barbican Centre and more than 200 other donors collaborated on commissioning composers to write works inspired by, and in dialogue with, existing pieces of recorded sound for an ongoing multimedia performance project.

For An Open Cage, composer and bassist Florent Ghys was drawn to a recording of John Cage reading an excerpt from his own Diary: How to Improve the World (You Will Only Make Matters Worse).

A solo bass mimics the rhythm of Cage's silky speech patterns, lending a jaunty bounce to his deadpan delivery. My favorite line, proving Cage's humor, is: "I'm gradually learning how to take care of myself. It has taken a long time. It seems to me that when I die, I'll be in perfect condition." As instrumental forces grow, they gradually overtake Cage. A small chorus of voices appears, superseding the instruments, then recedes to give Cage the last word.

Don't let the high concept fool you — Ghys' song sports a funky beat. Edison, if he could hear it, would probably tap his toes.

Copyright 2020 NPR. To see more, visit https://www.npr.org.

Tom Huizenga
Tom Huizenga is a producer for NPR Music. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR Music podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.